It's been a little too exciting around lately. I thought I might ease the pace a little. Here is a video of grass growing.
If you think that's exciting, wait until next time, when I start talking about my work.
- Aw2pp, who just can't help himself sometimes
Showing posts with label Youtube clips. Show all posts
Showing posts with label Youtube clips. Show all posts
Wednesday, May 19, 2010
Friday, March 26, 2010
Yeah, but she's a Black Belt in Cute
I promise not to turn this into a Tae Kwon Do blog. But you'll like this. Rowan tested for her Yellow Belt this week.
"Wait, she's 3, right?" Good question, glad you asked. Our TKD Studio has a little intro program for pre-kindergartners, called, curiously, Little Ninjas. So, no, this isn't the full-fledged program. They don't do Poomse or memorize facts about the American Flag, for instance.
"Wait, Ninjas? Isn't that Japanese? I thought Tae Kwon Do was a Korean Martial Art." Another good question, but you are really taking me off the subject here. Quiet now.
Anyway, Ro passed. Photographic evidence follows.

But the best part is the board break. They say a picture is worth a 1,000 words. Well, then a movie must be worth a 1,000 pictures, so enjoy.
My favorite part? The jumping up and down at the end. I bet all those real Ninjas do that, too.
- Aw2pp, who just can't get over the idea of "Kung Fu Master" Jackie Chan starring The Karate Kid remake. Doesn't anyone think about these things first?
"Wait, she's 3, right?" Good question, glad you asked. Our TKD Studio has a little intro program for pre-kindergartners, called, curiously, Little Ninjas. So, no, this isn't the full-fledged program. They don't do Poomse or memorize facts about the American Flag, for instance.
"Wait, Ninjas? Isn't that Japanese? I thought Tae Kwon Do was a Korean Martial Art." Another good question, but you are really taking me off the subject here. Quiet now.
Anyway, Ro passed. Photographic evidence follows.

But the best part is the board break. They say a picture is worth a 1,000 words. Well, then a movie must be worth a 1,000 pictures, so enjoy.
My favorite part? The jumping up and down at the end. I bet all those real Ninjas do that, too.
- Aw2pp, who just can't get over the idea of "Kung Fu Master" Jackie Chan starring The Karate Kid remake. Doesn't anyone think about these things first?
Wednesday, March 17, 2010
I'm a Phineas Phan
We watch a goodly number of "kid shows" at the Aw2pp household. More than I'm willing to admit. Certainly enough to make use claim informed expertise on the subject of "kid shows that don't annoy adults who have to sit there and parentally-monitor what is being watched". So take me seriously when I tell you that most kid shows are totally annoying to me.
But not all.
Phineas and Ferb is almost as funny as early Simpson's episode. High praise indeed.
Jillian takes my lesson this week. Le Onde is getting better, I have begun work on the second half. And Sue is sicker than she's ever been (Strep).
With that, you're up to date.
- Aw2pp, who dresses ironically.
But not all.
Phineas and Ferb is almost as funny as early Simpson's episode. High praise indeed.
Jillian takes my lesson this week. Le Onde is getting better, I have begun work on the second half. And Sue is sicker than she's ever been (Strep).
With that, you're up to date.
- Aw2pp, who dresses ironically.
Thursday, October 22, 2009
"I'll take SWORDS for $200, Trebek"
I can't express to you how much I enjoyed this. My soul is fed. I may as well call it a day right now.
- Aw2pp, two-time Osage Chief.
- Aw2pp, two-time Osage Chief.
Wednesday, October 14, 2009
I'm stuck
I do have a recording for you, but not today. Instead, I will whine about the piece I was supposed to have finished weeks ago. In Alfred's, it goes by the unassuming title Introduction and Dance, a Folk* song.
* - This Folk fellow... quite a prolific composer. Lots of Alfred's Book 2 pieces are attributed to him.
When I got started, it seemed simple enough. Sure, it's a minor key, and sure I tend to struggle with those for some reason. Two pages, with a repeat. I didn't recognize most of the first page, until the last three notes. Then I knew what I was playing. It was foisted upon us the year I was born, and remained on the airwaves for so long, I actually have childhood memories of hearing it on the radio. Naturally, I had the good sense even at a young age to develop a healthy hatred for this song, a whiny, defeated longing for times gone by. Here, in case you don't know what I am talking about, enjoy this clip, for all its putrescence. Please join me in despising this music with the fiery passion of a thousand burning suns.
Yick. I don't blame you if you never come back here again. I am sure it's pieces like this that convinced Anthony B to learn piano using his all-Einaudi repertoire. Heavens, even my piano teacher dislikes it... I stumbled through it for her last week. When I finished, I started to point to a measure I have trouble with, but she stopped me, saying simply, "I think we've heard enough of this one."
So you'd think I'd just move on, wouldn't you? Thing is, it is my very hatred of this music that keeps me from letting it go without perfecting it. Sounds strange, I know. But there is a voice in my head (don't laugh, you have them too) that says, "You can't let THIS beat you, can you?"
No, I can't. So Alfred's progress (and, to a lesser extent, progress on my Clementi Sonatina) stalls while I grit my teeth and try to pound out a recording.
- Aw2pp, with a tip o' the bowler to Aleister Crowley.
* - This Folk fellow... quite a prolific composer. Lots of Alfred's Book 2 pieces are attributed to him.
When I got started, it seemed simple enough. Sure, it's a minor key, and sure I tend to struggle with those for some reason. Two pages, with a repeat. I didn't recognize most of the first page, until the last three notes. Then I knew what I was playing. It was foisted upon us the year I was born, and remained on the airwaves for so long, I actually have childhood memories of hearing it on the radio. Naturally, I had the good sense even at a young age to develop a healthy hatred for this song, a whiny, defeated longing for times gone by. Here, in case you don't know what I am talking about, enjoy this clip, for all its putrescence. Please join me in despising this music with the fiery passion of a thousand burning suns.
Yick. I don't blame you if you never come back here again. I am sure it's pieces like this that convinced Anthony B to learn piano using his all-Einaudi repertoire. Heavens, even my piano teacher dislikes it... I stumbled through it for her last week. When I finished, I started to point to a measure I have trouble with, but she stopped me, saying simply, "I think we've heard enough of this one."
So you'd think I'd just move on, wouldn't you? Thing is, it is my very hatred of this music that keeps me from letting it go without perfecting it. Sounds strange, I know. But there is a voice in my head (don't laugh, you have them too) that says, "You can't let THIS beat you, can you?"
No, I can't. So Alfred's progress (and, to a lesser extent, progress on my Clementi Sonatina) stalls while I grit my teeth and try to pound out a recording.
- Aw2pp, with a tip o' the bowler to Aleister Crowley.
Labels:
Alfred's,
Internet drivel,
Youtube clips
Thursday, August 20, 2009
Checking in with Joey
Say hello to Joe The Wrangler (formerly Joe the Baby).
- Aw2pp, who wonders if it is too early to sign him up for riding lessons.
- Aw2pp, who wonders if it is too early to sign him up for riding lessons.
Monday, August 25, 2008
Gosh, this seems like he's in a hurry
Clearly, it's a matter of interpretation. But even if I could play this fast, I am not sure I would.
I got about 20 minutes or so to experiment with Stella yesterday. It's a slow start, I must say. I don't expect to be able to sight-read this material, but at this point in my development, getting up and going on the new patterns for each new piece is a slow process. And to be honest, I don't really enjoy it.
I got about 20 minutes or so to experiment with Stella yesterday. It's a slow start, I must say. I don't expect to be able to sight-read this material, but at this point in my development, getting up and going on the new patterns for each new piece is a slow process. And to be honest, I don't really enjoy it.
Wednesday, July 30, 2008
Finally, a clip for you
I got home from work early today, and had the house to myself for an hour or so. Sort of. It was me, the dog, and the cat. But they cooperated.
Although it took me about 30 minutes to get this take, it still has three major stumbles in it. But I am posting it anyway. Lord only knows how long it would take to capture a "perfect" take (whatever that may mean). This clip, errors and all, is a pretty accurate reflection of where I am at the moment. While I'm proud of and encouraged by my progress, there are acres of improvement to be realized. I have to eliminate the stumbles, even out the tempo, get smoother with the LH transitions. Once I'm done with all that, I can move on to the special sauce to really make this music. Things like paying really close attention not just to the dynamic markings, but also the way Einaudi himself uses dynamics in his recordings. I have also noticed that he tends to hold notes here and there for emphasis. I'm a long way from that kind of artistic subtlety.
(Once I get all that ironed out, maybe Monica K. will let me submit an improved version for the pianoworld.com recital. I'd really like to start accumulating those little recital medallions!)
Listening to the clip, I am struck by how out of tune Ole Bessie is. Sorry about that. I'm used to it, but it seems particularly annoying on this recording. On the other hand, it ain't getting any better. At least the soundboard crack is behaving itself these days. Summer seems to be good for it.
Although it took me about 30 minutes to get this take, it still has three major stumbles in it. But I am posting it anyway. Lord only knows how long it would take to capture a "perfect" take (whatever that may mean). This clip, errors and all, is a pretty accurate reflection of where I am at the moment. While I'm proud of and encouraged by my progress, there are acres of improvement to be realized. I have to eliminate the stumbles, even out the tempo, get smoother with the LH transitions. Once I'm done with all that, I can move on to the special sauce to really make this music. Things like paying really close attention not just to the dynamic markings, but also the way Einaudi himself uses dynamics in his recordings. I have also noticed that he tends to hold notes here and there for emphasis. I'm a long way from that kind of artistic subtlety.
(Once I get all that ironed out, maybe Monica K. will let me submit an improved version for the pianoworld.com recital. I'd really like to start accumulating those little recital medallions!)
Listening to the clip, I am struck by how out of tune Ole Bessie is. Sorry about that. I'm used to it, but it seems particularly annoying on this recording. On the other hand, it ain't getting any better. At least the soundboard crack is behaving itself these days. Summer seems to be good for it.
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