Me: What does this allarg. mean? I see that it is always followed by an a tempo, and recordings of the music sound like they slow down... is it just another way to write ritardando?
PT: No, it's more than that. Think broad and majestic as you slow down.
Me: Um, ok, what does that mean?
PT: Think of the glamorous stars walking down the red carpet on Oscar night. Play like they walk.
* - My wife, when she gets around to reading this, will be laughing at this point... she knows I consider The Oscars to be one of the most annoying things to watch on TV. That and Kendra.
Me: What about this poco tratt.?
PT: I have no idea.
We looked it up... it means to hold back, and is more common with string music. Whoddathunkit?
Where I am with Le Onde... I have the first half down and memorized. Once in awhile, I play it so well, I am pleased with it. And it is LOTS of fun, I almost don't want to play anything else these days. The problem is, I am so locked in on the pattern of the first half, the latter half is coming much more slowly, as the changes are subtle. But crucial. So I have some memorization to do on the back half.
Brilliant Reader Denis asks:
How did you solve the issue with 'singing' the main half notes on the right hand in bars 5,6,7 and in the rest of the song?
Great question. Measures 5 and 6 work like this for me: 524131
Measure 7 like this: 514131(2, the F# in the next measure)
It works well, but I bet you question is more of an artistic one than a technical one. That is, how do I play it "sweet and songlike, marking the melody*" (one presumes that would be the high notes). Still having trouble with this. What works for me is to accent the first note in the measure, then get progressively softer as I move down the scale. The first section, it's not coming out like I had hoped. The second section, however, beginning in measure 25, it comes out quite clearly, and I'm almost happy with it. Don't know what makes this section easier, but it is.
* - Pardon my Italian, but that is my guess on what the music is instructing. "Dolce e cantabile, marcando la melodia."
As to the third, beginning measure 41, I am just blasting away. He has some dynamic markings in 47 and 48 that temper things a bit, but, for now, I am playing this as loudly as my technique (such as it is) will allow. When I am ready for a recording, I will give a listen to what I am doing with this part, and probably make some changes.
I'm 2 months out at this point, but 5 weeks away from ABF Recital 18. I'm happy with where I am, enjoying the journey, and will hope to maintain progress for another month. My goal will be to have this down so completely that, come first Friday in June, all I have to worry about is getting a good haircut beforehand. We'll see.
- Aw2pp, inveterate tinkerer